While Michael recovers, here’s a reprise of a prior blog entry
For my handful of devoted readers, harken ye back to my entry of a couple of weeks ago, wherein I chastised those punters who ask, for wont of anything better to say, for the unusual.
Well, we have it, and ‘unusual’ is said with an attenuated Hitchcockian accent, appropriately enough, because it is an item associated with the great man, albeit tangentially. Specifically, we have acquired out of the stock of Warner Brothers a George III demilune pier table of large size, well known to many of you, whether you know it or not, the result of its prominent placement in the Alfred Hitchcock film ‘Dial M for Murder’.
With the movie itself taken from the play of the same name, cinematically it’s what’s known as a ‘rug show’, with all the action taking place indoors, in this instance in just two rooms of the fictional London apartment in Maida Vale occupied by the main characters, played by Grace Kelly and Ray Milland. We’ve got some great photos of Grace Kelly looking harried and Ray Milland deceitfully calculating- with the pier table prominently behind.
Although Warner’s, along with MGM and Paramount, would import vast quantities of European antiques for use in set decoration,
it is interesting to note that this piece was actually purchased from ex-star, prominent antiques dealer, designer to the stars and progenitor of the Hollywood Regency style, Mr. William Haines. As well as the Warner Brothers inventory mark, the piece also has a label from Haines-Foster, then located in exquisite premises at 8720 Sunset Boulevard.
It was an astonishing place. Purpose built for Haines, with a colonnaded façade and curved display windows, Haines served the ne plus ultra in the industry, with prominent commissions from Joan Crawford, George Cukor, and Louis B. Mayer’s daughter and son-in-law, Bill and Edith Goetz. Haines was
also the antiques purveyor to and designer for Jack Warner, whose grand new house designed when Warner married his wife Ann replete with Haines-selected fine quality English antiques.
In this case, though, the pier table connection between William Haines and Jack Warner is incidental, but more substantially linked to the set designer for ‘Dial M…’, the redoubtable George James Hopkins. A designer with a career in movies that lasted from the late teens into the 1970s, Hopkins work, mainly at Warners, included some stunning sets- ‘Auntie Mame’, ‘My Fair Lady’, and- wait for it- ‘Casa Blanca’. In his salad days, he was reputed to have had an intimate relationship with the director
William Desmond Taylor, whose yet unsolved murder has always conjured up lurid associations with drugs and unconventional sex. Don’t you just love the movies?

My last blog entry brought a spate of e-mails- admittedly a smallish spate, as I have only a handful of dedicated readers. The e-discussion centered on how I had brushed aside dining tables, focusing on sideboards as the primary dining room debacle. I readily agree with my readers who point out that dining tables can be more than a little problematic. As well, they are such a bane that a number of fine quality dealers rarely even offer them.
In the midst of moving my parents from their house on the farm to a new home in town a few years ago, I had cause to ask my mother why she and my father had accumulated so much stuff. Her reply was the typical one, to the extent that one doesn’t discard what one might, at some indeterminate future date, find useful. Well, indeed. Moreover, where would I be in my current endeavor if everyone threw out every item of personal property every few years? 18th century furniture pieces would be even fewer on the ground than they are.

We’ve just returned from a few days in Hawaii. We consider Oahu our second home and where, in the fullness of time, we intend to make our primary residence. My first trip to Hawaii in May, 1976, was for a job in the banking business. Had not a greater power been guiding my destiny, I wouldn’t have traveled there, but in the intervening 36 years I’ve taken every opportunity to express my thanks for this fortunate event.
Really? Thank goodness not all of us think the natural world is a mere backdrop automatically trumped when graced by our presence. I suppose that, once upon a time not so very long ago, the preponderance of the natural world and an abundance that seemed inexhaustible made our exploitation of it seem incidental, when it was considered at all. Still and all, in Hawaii with both its limited land area and strongly rooted tradition of respect for the natural world makes its exploitation seem at best schizy and it has wrought some bizarre effects.
Nothing of this remains, with the area drained with the construction of the Ala Wai Canal in the 1920’s, and the spoils from the canal used as fill aiding a construction boom in Waikiki that has yet to abate. Sacred sites known as heiau were dismantled. One of the most revered was only recently rediscovered when its topside development as a bowling alley was demolished, revealing the sacred alter of Kapaemahu underneath, incorporated into the building’s foundation.