For those of you who visit us with some frequency, you’ll note we’ve changed our home page introduction. More than that, perhaps you have actually read the text, citing English antiques as classic design. With anything designated ‘classic’, these are objects that have moved from the currently fashionable to the always fashionable. So it goes, too, with Old Master paintings and drawings with some record setting prices realized this last week.
At last, Old Master paintings and drawings are emerging from the shadows, or should I say reemerging, the result of waning interest in contemporary art. These things do happen, with Old Master works repeatedly over the last several centuries becoming penumbral denizens, overshadowed by, in order, history paintings of the academic variety, sentimental paintings of the Victorian variety, Impressionism, Cubism, Abstract Expressionism, and, lately, Damien Hirst. Let’s revisit this discussion in 10 years time, and see how Hirst’s sectioned livestock in formaldehyde have held up, literally and critically.
Still, masterworks continue to assert themselves because they are just that- masterworks. The stages, each many years long, of artistic development that begin with rank apprentice to master make themselves exquisitely apparent in the deft modeling of figures and the precise application of paint.