Irish Regency period mahogany three pillar dining table. The top and leaves with excellent color and figuring, standing on three four-splay bases terminating in brass caps and castors.

Circa 1820

Late George III mahogany three pillar dining table. The top well-figured with two additional leaves, with each pedestal with four splay legs terminating in brass caps and castors.

Circa 1810

Louis XVI style mahogany extending dining table. Of Louis Phillipe period, the table has three leaves, and drop down centre legs. The perimeter legs with gilt brass capitols and caps to the feet.

Circa 1830

Regency period mahogany dining table in the manner of Gillows. The well-figured top surmounts two d-ends and one drop-leaf centre section, supported by reeded and turned legs.

Circa 1810

Regency mahogany snap top breakfast table on reeded and ring-turned column. Its quatrefoil platform terminates in quadruped foliate scroll splayed legs, with brass caps and castors.

Circa 1820

Regency period mahogany breakfast table. The well-figured flame veneer is banded with rosewood. The turned pedestal is supported by arched splayed legs, terminating in brass caps and castors.

Circa 1820

William IV period walnut and burl walnut breakfast table. The oval quarter-veneered top wtih amboyna crossbanding, supported by four fluted pillars from a platform centred by an urn finial, on four downswept legs with knurl toes.

Circa 1840

George II period mahogany dining table. The oval top surmounts cabriole legs with carved scallop shells with bell flowers trailing, all terminating in pad feet.

Circa 1750

Regency rosewood and boxwood strung octagonal centre table, in the manner of Gillows. The top with maple banding to the perimeter and along the bottom edge of the apron.

Circa 1810

George III mahogany small bowfront sideboard. The top surmounts a frieze drawer with deep drawers on either side, with figured mahogany, and lion's head pulls. The square tapering legs terminate in spade feet, and the legs strung in boxwood.

Circa 1790

Late George III inlaid mahogany sideboard. The boxwood strung bowfront top over a conforming three drawer case with original gilt brass pulls and oval, boxwood strung inlay to the drawer-fronts raised on quill-motif, reeded tapering legs.

Circa 1790

Regency period mahogany sideboard of small size. The reeded edge above a central frieze drawer stamped 'GILLOWS LANCASTER', flanked by two drawers to the left and a deep cellerette drawer to the right, on ring turned legs.

Circa 1820

George III period mahogany and crossbanded sideboard of serpentine form. The well figured top and front crossbanded in mahogany, with boxwood stringing. The sideboard is supported by square tapering legs terminating in spade feet.

Circa 1780

George III period mahogany breakfront sideboard. A cellaret drawer and three shallow drawers surmount fluted, tapering legs, with an integral pot cupboard to the right side.

Circa 1790

George III period Sheraton style demilune sideboard of large size. The well figured top above a central frieze drawer, likewise veneered in flame mahogany. The square tapering legs terminate in spade feet.

Circa 1780

George III mahogany and fret carved serving table, in the Chinese Chippendale taste. The cobalt and blue jar is Qing period export ware, 18th century.

Circa 1765

Chappell & McCullar Contemporary Classics - Riesener Table. Flat sided rectangular table supported on four straight legs, square in section with indented corners. The table is fitted with a single drawer shaped along the lower edge and centered with a rectangular veneered panel of mahogany, edged with double filets of ebony and satinwood and banded with ebony.

Chappell & McCullar Contemporary Classics - Large Riesener Table. Flat sided rectangular table supported on four straight legs. The table is fitted with a single frieze drawer shaped along the lower edge and centered with a rectangular veneered panel of ebony, edged with double filets of ebony and satinwood and banded with satinwood.

Italian neo-classical side table of large size. The base with original painted and gilt decoration, surmounted by a grey marble top.

Circa 1780

A pair of George III period mahogany Channel Islands bedside cupboards.

Circa 1800

A pair of George III period giltwood pier tables of a large size. The tables of demilune, breakfront outline with a gilt foliate frieze of acanthus and palmette motif, with the leg capitals topped with paterae.

Circa 1790

A pair of Venetian carved and gilt walnut consoles. The herm figures at the front corners, with swagged garlands and the feet carved in a double 'S' curve.

Venice, mid 19th century

George III mahogany and satinwood crossbanded Pembroke table. The well figured and satinwood crossbanded top surmounts a curved frieze with a functional drawer to the front and a dummy drawer to the rear. The square tapering legs terminate in brass caps and castors.

Circa 1790

George III period mahogany pembroke table. With single drawer to one side, with the legs joined by a shaped cross stretcher.

Circa 1780

Late George III mahogany and satinwood banded Pembroke table. The rectangular top above a drawer on square tapering legs, on brass caps and castors.

Circa 1780

Early George III period mahogany tilt top table. The round tilt top surmounts a bird cage support and fluted pedestal. The tripod legs with carved acanthus motif terminating in pad feet.

Circa 1760

Late George III period demilune mahogany and crossbanded tea table. The demilune top with inlaid stringing and tulipwood crossbanding, surmounting a frieze with checker and tulipwood banding, supported by square legs with boxwood stringing.

Circa 1800

Early George III period mahogany and walnut lowboy. The walnut top with reentrant corners surmounts a frieze with three drawers above four cabriole legs terminating in pad feet.

Circa 1760

George III mahogany and brass bound cellaret of oblong form. The inside retains its lead lined bottle divisions, with the cellaret standing on a fluted frieze and legs, with Chinoiserie brackets, all above brass castors.

Circa 1780

Late Qing period mahogany low table. The well-figured top surmounts 'cloud-lifting' stretchers and legs with hook-motif feet.

Late 19th century

Chappell & McCullar Contemporary Classics - Christophe Low Table. The table top frame is supported on two curule legs formed by S-shaped members joined in the center by a turned wooden spindle terminating at either end in a stylized gilt metal rosette.

Regency period round painted Pontypool lacquered metal tray, with later painted Chinoiserie stand.

Circa 1810

A Japanese lacquer and gilt tray, decorated with fans both open and closed. Signed 'Keizan'. Mounted on a contemporary lucite stand.

Showa period, circa 1960