George III mahogany triple pedestal dining table. The well-figured top supported by gun-barrel pedestals, with triple- and quadruple-splay legs terminating in brass caps and castors.

Circa 1800

Irish Regency period mahogany three pillar dining table. The top and leaves with excellent color and figuring, standing on three four-splay bases terminating in brass caps and castors.

Circa 1820

Regency period mahogany dining table in the manner of Gillows. The well-figured top surmounts two d-ends and one drop-leaf centre section, supported by reeded and turned legs.

Circa 1810

Regency mahogany snap top breakfast table on reeded and ring-turned column. Its quatrefoil platform terminates in quadruped foliate scroll splayed legs, with brass caps and castors.

Circa 1820

Regency period mahogany breakfast table. The rectangular top surmounts a reeded pedestal supported by four splay legs of swan neck form, terminating in giltbrass caps and castors.

Circa 1810

Irish George II period mahogany drop leaf table. The top of matched Cuban timber, surmounting heavy cabriole legs of particularly good color, with deeply carved shell and bellflower motif at the knees.

Circa 1750

George II period mahogany dining table. The oval top surmounts cabriole legs with carved scallop shells with bell flowers trailing, all terminating in pad feet.

Circa 1750

George I giltwood and carved gesso centre table, in the manner of James Moore. The rectangular top relief carved with a panel of leaves and flowers, supported by a carved gesso frieze and cabriole legs.

Circa 1720

George III mahogany small bowfront sideboard. The top surmounts a frieze drawer with deep drawers on either side, with figured mahogany, and lion's head pulls. The square tapering legs terminate in spade feet, and the legs strung in boxwood.

Circa 1790

Regency period mahogany wine cooler of large size. Of sarcophagus form, the four sides with fielded panels, the front and reverse with a raised lozenge surrounded by gilt anthemia.

Circa 1815

A George III period mahogany sideboard of serpentine outline. The shaped top above a central napery drawer, flanked by two deep drawers, one fitted as a cellaret with bottle divisions.

Circa 1780

George III period mahogany breakfront sideboard. A cellaret drawer and three shallow drawers surmount fluted, tapering legs, with an integral pot cupboard to the right side.

Circa 1790

Late Regency period mahogany sideboard of bowfront outline. With a cellaret drawer to one side and pot cupboard to the other, a deep frieze drawer surmounts a napery drawer in the center, all below a well figured bowfront top.

Circa 1820

An Irish George III period mahogany rectangular sideboard of pedestal design. Well-suited for storage, the sideboard is well supplied with drawer space, including three deep double drawers.

Circa 1780

George III mahogany sideboard of large size. The well-figured drawer fronts, well-patinated figured mahogany with stringing and crossbanding, surmounting square tapering legs.

Circa 1780

Late George III mahogany and gilt bronze console. The segmental arc-shaped top and paneled frieze outlined in gilt bronze beading, the whole raised on circular tapering, reeded legs.

Circa 1800

George III mahogany and fret carved serving table, in the Chinese Chippendale taste. The cobalt and blue jar is Qing period export ware, 18th century.

Circa 1765

George III carved pine demilune pier table. The fluted frieze surmounts round tapering stop-fluted legs. The top of mahogany with wide probably rosewood crossbanding.

Circa 1780

Chappell & McCullar Contemporary Classics - Riesener Table. Flat sided rectangular table supported on four straight legs, square in section with indented corners. The table is fitted with a single drawer shaped along the lower edge and centered with a rectangular veneered panel of mahogany, edged with double filets of ebony and satinwood and banded with ebony.

Chappell & McCullar Contemporary Classics - Large Riesener Table. Flat sided rectangular table supported on four straight legs. The table is fitted with a single frieze drawer shaped along the lower edge and centered with a rectangular veneered panel of ebony, edged with double filets of ebony and satinwood and banded with satinwood.

A pair of George III period mahogany Channel Islands bedside cupboards.

Circa 1800

A pair of George III period giltwood pier tables of a large size. The tables of demilune, breakfront outline with a gilt foliate frieze of acanthus and palmette motif, with the leg capitals topped with paterae.

Circa 1790

An Italian rococo giltwood console d’applique. The serpentine top supported by carved stylised acanthus leaves.

Probably Florentine, mid 18th century

Regency period satinwood, mahogany and ebonised rent table. The satinwood top with both working and faux mahogany fronted drawers, surmounting an unusual support of four ebonised, ring-turned columns, terminating in a platform.

Circa 1810

George III period mahogany pembroke table. With single drawer to one side, with the legs joined by a shaped cross stretcher.

Circa 1780

George III period mahogany and satinwood banded oval Pembroke table. The drawer and faux drawer with original ring handles and satinwood banding.

Circa 1790

Late George III mahogany and satinwood banded Pembroke table. The rectangular top above a drawer on square tapering legs, on brass caps and castors.

Circa 1780

George III period mahogany and boxwood strung demilune tea table. The boxwood legs terminating in a marquetry urn. The frieze and square tapering legs with boxwood stringing, the top opening to a well-figured interior.

Circa 1790

Late George III period satinwood and purpleheart banded tea table. The well-figured top opens with a gateleg action, to an interior with conforming banding, all supported by square tapering legs.

Circa 1800

A George III mahogany and boxwood strung tea table. The 'D' shaped outline with a foldover top exposing a well-figured interior. The frieze with boxwood stringing, and the top with an inlaid shell motif in satinwood.

Circa 1790

A Regency period mahogany double sided sofa table. The top and frieze with ‘fiddle-back’ mahogany, with rosewood crossbanding to the elliptical top, with boxwood and ebony stringing.

Circa 1810

Qing period opium bed of teak with inset woven straw matting. The heavy frame fitted with woven matting, the thick legs finished with horse hoof terminals.

Late Qing, late 19th century

Chappell & McCullar Contemporary Classics - Christophe Low Table. The table top frame is supported on two curule legs formed by S-shaped members joined in the center by a turned wooden spindle terminating at either end in a stylized gilt metal rosette.

A Chinese export red lacquer small table.

Late Qing, mid 19th century

Chinese red lacquer and decorated round occasional table. The slightly lobed circular top decorated with a courtly scene with children in a garden surrounded by rocks and trees. The underside in black, with incised ‘MADE IN CHINA.’

Republican period, circa 1910

Regency period round painted Pontypool lacquered metal tray, with later painted Chinoiserie stand.

Circa 1810

A Japanese lacquer and gilt tray, decorated with fans both open and closed. Signed 'Keizan'. Mounted on a contemporary lucite stand.

Showa period, circa 1960

Chinese elm altar or side table. The top with rectangular panels set within a surrounding frame, and supported round legs with ‘U’- shaped spandrels and round stretchers.

Probably Qing period, late 18th or early 19th century