William IV period walnut and burl walnut breakfast table. The oval quarter-veneered top wtih amboyna crossbanding, supported by four fluted pillars from a platform centred by an urn finial, on four downswept legs with knurl toes.

Circa 1840

Irish Regency period mahogany breakfast table. The well-figured flame veneer is banded with rosewood. The turned pedestal is supported by arched splayed legs, terminating in brass caps and castors.

Circa 1820

Louis XVI style mahogany extending dining table. Of Louis Phillipe period, the table has three leaves, and drop down centre legs. The perimeter legs with gilt brass capitols and caps to the feet.

Circa 1830

Regency style mahogany quadruple pedestal dining table. The four pedestals with down-swept tripod legs terminating in brass caps and castors, supporting a well-figured top with rounded ends.

Late 19th century

Early George III period Cuban mahogany dining table of a large size. The 'D' ends cross banded in mahogany surmount legs terminating in pad feet, with 2 drop leaf center sections, plus 2 additional leaves.

Circa 1760

Regency style triple pedestal dining table. The D-ends supported by a pedestal with triple splay legs. The centre section supported by a pedestal with four splay legs, all with brass caps and castors. The table includes two leaves.

Circa 1880

Regency snap-top breakfast table. The mahogany top and base are line inlaid, with the top cross-banded with rosewood.

Circa 1820

Regency style triple pedestal dining table of generous proportions. This English antique has gun barrel design pedestals support solid, removeable mahogany tops with reeded edges. The table was made by Arthur Brett & Sons of Norwich, England.

Late 19th century

Regency rosewood and boxwood strung octagonal centre table, in the manner of Gillows. The top with maple banding to the perimeter and along the bottom edge of the apron.

Circa 1810

George II period mahogany oval drop leaf dining table. The well figured top surmounts cabriole legs of acanthus leaves and flowerets, terminating in ball and claw feet, with curling fetlocks behind. Possibly Irish.

Circa 1740

George III mahogany serving table. Beautifully patinated, the flame mahogany frieze contained two mahogany lined drawers, divided by a marquetry panel inlaid with a conch shell motif. This English antique has channeled, spadefooted legs that are are likewise surmounted by a panel inlaid with a conch shell.

Circa 1780

A pair of George III painted pier tables in the style of Robert Adam. The tops are satinwood with harewood and tulipwood banding, inlaid with marquetry banderole and acanthus decoration.

Circa 1780

A George II mahogany lowboy. The rectangular top surmounts three frieze drawers above fret carving. The square chamfered legs are topped by fret carved brackets.

Circa 1750

Regency period mahogany sideboard of small size. The reeded edge above a central frieze drawer stamped 'GILLOWS LANCASTER', flanked by two drawers to the left and a deep cellerette drawer to the right, on ring turned legs.

Circa 1820

George III period mahogany and crossbanded sideboard of serpentine form. The well figured top and front crossbanded in mahogany, with boxwood stringing. The sideboard is supported by square tapering legs terminating in spade feet.

Circa 1780

Late George III inlaid mahogany sideboard. The boxwood strung bowfront top over a conforming three drawer case with original gilt brass pulls and oval, boxwood strung inlay to the drawer-fronts raised on quill-motif, reeded tapering legs.

Circa 1790

George III mahogany and boxwood strung sideboard of serpentine outline.

Circa 1800

George III period mahogany bowfront sideboard. The drawers with satinwood and ebony banding, centered with lion-mask brass handles, all surmounting square tapering legs with ebony stringing above spade feet.

Circa 1790

A Regency mahogany sideboard of broken bowfront form, the drawers decorated with geometric moulding on turned and gaitered legs.

Circa 1810

Regency period Pembroke table, the figured mahogany top is surrounded by satinwood and kingwood banding. The drawer fronts are satinwood and the simulated bamboo ring-turned legs are of pearwood.

Circa 1810

George III mahogany Pembroke table, to a design of Thomas Sheraton. The figured oval top is crossbanded in kingwood, surmounting a frieze drawer to the front and a dummy drawer to the rear, all above turned, tapering legs ending in gilt brass caps and casters.

Circa 1790

George III mahogany and satinwood crossbanded Pembroke table. The well figured and satinwood crossbanded top surmounts a curved frieze with a functional drawer to the front and a dummy drawer to the rear. The square tapering legs terminate in brass caps and castors.

Circa 1790

Late George III satinwood Pembroke table, crossbanded in rosewood and tulipwood, with the tapering legs inlaid with tulipwood lines. The frieze and dummy drawers are both bounded by rosewood and tulipwood panels.

Circa 1800

Late George III period demilune mahogany and crossbanded tea table. The demilune top with inlaid stringing and tulipwood crossbanding, surmounting a frieze with checker and tulipwood banding, supported by square legs with boxwood stringing.

Circa 1800

George III tripod table of small size. The rectangular tilt top surmounts a gun barrel pedestal and tripod cabriole legs.

Circa 1760

Early George III mahogany tea table.

George II period tripod table. The dished mahogany top above birdcage support on a 'gun-barrel' stem on tripod arched cabriole legs terminating in pad feet.

Circa 1750

George IV rosewood occasional table on a twisted gadrooned support and gilt metal lobed feet.

Circa 1830

George III mahogany Pembroke Table. The rectangular hinged top in flame mahogany veneer, with frieze drawer, raised on square molded chamfered legs headed with stylized leaf and C-scroll spandrels and joined by a pierced X-form undertier, terminating in brass castors. Derived from a design by Thomas Chippendale.

Circa 1780

Early George III period mahogany urn table. The carved top surmounts a frieze with gadrooning below. The cabriole legs are carved in low relief with an acanthus motif, terminating in French scroll feet.

Circa 1760

A pair of Venetian carved and gilt walnut consoles. The herm figures at the front corners, with swagged garlands and the feet carved in a double 'S' curve.

Venice, mid 19th century

George III satinwood Pembroke table. The oval top with two hinged flaps above a drawer on square tapering legs with brass caps and castors. The top outlined in ebony stringing, along with the drawers and legs, with ebony stringing outlining a lozenge motif on either side of the drawers.

Circa 1790

George III satinwood bowfront foldover games table.

Circa 1790

A Regency 'plum-pudding' mahogany oval tilt-top breakfast table. The top banded in rosewood and tulip wood, with the apron surrounded with ebony stringing. The base with splay legs below turned supports, the whole with ebony stringing enclosing figured mahogany panels.

Circa 1820

A Regency period satinwood, mahogany and gilt brass mounted sofa table. The top is veneered in a solid sheet of satinwood veneer, crossbanded in rosewood and tulipwood. The frieze and drawers are likewise veneered in satinwood, with the opposing drawers lined with cedar. The sinuous base is solid mahogany, with neo-classical gilt brass mounts.

Circa 1810

Chinese lacquer and gilt tilt-top table, made for the European market. The top depicting a Chinese scene at an aristocratic court, encircled with two rows of foliate banding. The tilt-top supported by birdcage action, with the stem above a tri-form base terminating in gilt claw feet.

Circa 1840

Early George III mahogany card table with concertina action, in the manner of Mayhew and Ince. The knees all with foliate carving surrounding a cabochon, above scrolled feet. Unfolded, the apron extends around the entire perimeter, with the top a 19th century blue silk velvet.

Circa 1760

A pair of Northern European mid 19th century satinbirch and ormolu mounted cardtables.

Possibly Denmark or Holstein, circa 1850

A pair of French made barrel shaped console tables, composed of grape vines. The tops are veneered with joined sections of burl from grape stumps.

Early 20th century

Chinese red lacquer low table, decorated with dragons and chinoiserie patterns.

Early 20th century