Set of 12 Regency period mahogany dining chairs, consisting of 2 armchairs and 10 side chairs. The bar backs with beading to around a central field, and a fan motif on the back splat on either side of a mahogany lozenge-shaped panel. The sabre motif legs to the front with incised reeding.

Circa 1810

Louis XVI style giltwood sofa with a leaf and berry carved frame, the padded back, arms, and overstuffed seat flanked by acanthus carved uprights to the arms, on six stop fluted cylindrical section legs, terminating in castors. The upholstery, Colony 'Melagrano' pattern.

Second quarter, 19th century

An early George III period mahogany bowfront sofa of large size, in the manner of Thomas Chippendale. Of excellent, original condition, the legs of cabriole form, of carved acanthus motif, terminating in scrolled feet, inset with original leather-wheeled castors.

Second quarter, 19th century

George III painted and gilt triple chairback settee. The frame is decorated overall with simulated rosewood graining. The chairbacks with scrolling X-shaped splats centered by paterae, and surmounted by tablets painted with musical and hunting trophies.

Circa 1800

George III gilt sofa with a moulded, arched, upholstered panel back and padded splayed arm supports with foliate and Greek key ornament, with a bowed and three cushions upholstered in pale green floral damask.

Circa 1790

William and Mary design "horsebone" leg side chairs, covered with an 18th century needlework upholstery. The legs and stretchers are gilded, with the bases of the front legs with carved acanthus leaf decoration.

A pair of George III Scottish armchairs, of 'Cockpen' type. The lattice backs surmount dished seats upholstered in modern green silk damask. The legs are of a clustered reed design possibly in imitation of Chinese bamboo.

Circa 1765

Regency painted and gilt armchairs to a design of Thomas Hope. The scrolled decoration of the top rail is surmounted by stylised Prince of Wales feathers. The front legs and arm supports are carved in the shape of winged lion monopodia.

Circa 1810

A pair of Regency style ebonised and gilt armchairs, in the Egyptian Revival fashion. A chair of this design is in the collection of the Victoria and Albert Museum in London.

A George III mahogany window seat, with scrolled foliate carved arms and tapering turned leaf carved legs headed by oval rosette blocks.

Circa 1790

Regency period gilt and brass inlaid rosewood grained chaise lounge on castors.

Circa 1765

George III period mahogany open armchair. The back splat centred with patera and radiating spokes. The front legs with fluting, terminating in toupie feet.

Circa 1780

A pair of George III painted open armchairs. Each chair has a bowed top rail over a central painted tablet with cavorting cherubs. The overscrolled arms continue to a cane seat with a striped silk cushion over tapering outswept legs.

Circa 1765

A pair of George IV mahogany hall chairs.

Circa 1830

A pair of late George III mahogany open armchairs, in the manner of Sir John Soane. Each with Greek key motif carved toprail above an X-shaped splat. The reeded arms and arm-supports above a padded seat.

Circa 1800

A pair of chairs designed by Jens Quistgaard for Nissen Langra, Denmark. The solid rosewood segments fixed in chromium plated steel mounts, with sling cushion seats and pivoting backrests upholstered in olive-green suede. Marked with the factory mark.

Circa 1960

A set of 8 late George III mahogany 'ladder back' dining chairs. The back splats with carved inset flowerets. The dished seats are of an ample size, and surmount straight channeled legs.

A set of 6 George III mahogany dining chairs. Each with a serpentined top rail above a pierced interlaced vase splat. The wide padded seat is covered in a close-nailed light green leather, surmounting square channeled legs joined by an 'H' stretcher. These chairs are of a particularly good, ample size.

Circa 1760

Set of 8 George III mahogany dining chairs consisting of 6 side chairs and 2 armchairs. The well carved neo classical backsplats surmount a stuffover seat, all above reeded front legs with toupie feet.

Circa 1790

A George III mahogany wing back armchair, with outscrolled arms on mahogany cabriole legs carved with acanthus leaf detail with ball and claw feet.

Circa 1770

A pair of cherrywood armchairs, in the manner of Andre Arbus.

French, Circa 1940

Japanese red lacquer and brass mounted palanquin chair. The horseshoe top rail with scroll terminals and suspending a curved backsplat with ruyi head-pierced panels bracketing a central gilt-painted diaper-patterned panel, all above a maroon colored leather seat and supported on pivoted crossed stretchers.

Late Edo period, circa 1850

Victorian Arts and Crafts movement oak open armchair with a rush drop in seat. To a design by Richard Norman Shaw, it was retailed through William Morris and Company. A chair of this design is in the Victoria and Albert Museum.

Circa 1880

A set of 8 Art Deco period cream leather and black painted club chairs, designed by Elsie de Wolfe for the Beverly Hills home of Dorothy, the Countess di Frasso.

Circa 1935