A set of 8 late George III mahogany 'ladder back' dining chairs. The back splats with carved inset flowerets. The dished seats are of an ample size, and surmount straight channeled legs.

A set of 6 George III mahogany dining chairs. Each with a serpentined top rail above a pierced interlaced vase splat. The wide padded seat is covered in a close-nailed light green leather, surmounting square channeled legs joined by an 'H' stretcher. These chairs are of a particularly good, ample size.

Circa 1760

Set of 8 George III mahogany dining chairs consisting of 6 side chairs and 2 armchairs. The well carved neo classical backsplats surmount a stuffover seat, all above reeded front legs with toupie feet.

Circa 1790

George II period Irish double chairback settee, in walnut. The two pierced interlaced splats with gooseneck arms surmount cabriole legs and pad feet. The splats each with suspended tassels below the top rail, and the pad feet with flattened panels, both features typical of Irish furniture.

Circa 1740

A George I Walnut Wing Armchair with modern silk upholstery.

Circa 1720

Regency period 'spoon back' occasional chair. The green painted decoration is high lighted by contrasting green line decoration, with the back splat decorated with stylized leaves and flowerets, all above a caned seat, and mounted on original casters.

Circa 1805

A George III mahogany wing back armchair, with outscrolled arms on mahogany cabriole legs carved with acanthus leaf detail with ball and claw feet.

Circa 1770

A pair of cherrywood armchairs, in the manner of Andre Arbus.

French, Circa 1940

Japanese red lacquer and brass mounted palanquin chair. The horseshoe top rail with scroll terminals and suspending a curved backsplat with ruyi head-pierced panels bracketing a central gilt-painted diaper-patterned panel, all above a maroon colored leather seat and supported on pivoted crossed stretchers.

Late Edo period, circa 1850

Victorian Arts and Crafts movement oak open armchair with a rush drop in seat. To a design by Richard Norman Shaw, it was retailed through William Morris and Company. A chair of this design is in the Victoria and Albert Museum.

Circa 1880

A set of 8 Art Deco period cream leather and black painted club chairs, designed by Elsie de Wolfe for the Beverly Hills home of Dorothy, the Countess di Frasso.

Circa 1935