Set of 4 Regency revival armchairs, in the manner of William Trotter. The black painted frame is heightened with gilding on the back rail, and the lion's claw arm and leg terminals. The drop in seat frames contain original caning.

Circa 1930

Four George III giltwood open armchairs, attributed to Francois Herve. The back carved with a 'ribbon and stick' band, the cresting centered by a ribbon-bound floral rosette with trailing husks. Leaf and tongue carved and beaded rails above tapering fluted legs headed by floral paterae and ending in turned feet.

Circa 1780

Set of 6 early Victorian rosewood balloon back dining chairs. The well-figured balloon backs surmount seats now covered in rose-coloured velvet. The turned front legs are supported by original china-wheeled castors.

Circa 1850

A set of six 18th century George III mahogany ladder back dining chairs, the shaped top rail enclosing pierced horizontal splats with carved anthemion detail, the drop in seats on square section supports united by H-shaped stretcher, comprising; two elbow and four side chairs.

Circa 1790

A set of 8 George III 'Chippendale revival' style mahogany dining chairs. The set consists of 2 carver's chairs and 6 side chairs, all with stuffover seats and shaped mahogany aprons, terminating in cabriole front legs with ball and claw feet.

Circa 1880

Set of 12 Louis XVI style dining chairs, attributable to Maison Jansen. Composed of 2 armchairs and 10 sidechairs of ample proportions, The dished elliptical backs and seats surmount stop-fluted legs with paterae at the top, and toupie feet.

Circa 1900

A pair of Regency style ebonised and gilt armchairs, in the Egyptian Revival fashion. A chair of this design is in the collection of the Victoria and Albert Museum in London.

A pair of George III period giltwood salon chairs, attributable to John Linnell.

Circa 1780

A pair of Regency ebonised and parcel-gilt open armchairs, each with curved tablet toprail centred by a lion's mask, flanked by palmettes, above an x-framed splat, centered by a flowerhead roundel, with scrolled arms and serpentine supports, above a caned seat, on sabre legs headed by flowerhead panels.

Circa 1810

A pair of mid Georgian style mahogany armchairs. The scroll carved arms surmount serpentine seats above cabriole foliate carved legs and scroll feet. The gros point and petit point upholstery depict figures in a landscape. These chairs are clearly inspired by the so-called 'French Chairs' contained in mid-18th century pattern books such as Thomas Chippendale's Director and Mayhew and Ince's Universal System of Household Furniture, published in 1762.

A George I Walnut Wing Armchair with modern silk upholstery.

Circa 1720

A George III mahogany wing back armchair, with outscrolled arms on mahogany cabriole legs carved with acanthus leaf detail with ball and claw feet.

Circa 1770

Regency period 'spoon back' occasional chair. The green painted decoration is high lighted by contrasting green line decoration, with the back splat decorated with stylized leaves and flowerets, all above a caned seat, and mounted on original casters.

Circa 1805

George III mahogany armchair, in the manner of Gillows. The pierced shieldback is interlaced with carved drapery swag and surmounted by foliate cresting. The splayed scroll arms terminate in the serpentine padded seat, above fluted tapering legs terminating in spade feet.

Circa 1785

Chappell & McCullar Contemporary Classics - Michel Sofa. The undulating serpentine show frame base with a 'cushion' frieze and cabriole legs with a carved scallop motif at the knee and terminating in French scrolled feet.

George III carved mahogany cabriole form sofa, with camel back and sloping arms ending in carved hand rests, above shaped and fluted arm supports and raised on square fluted legs with rosette carvings and bulb feet with fluted apron detail.

Circa 1780

George III period camel back sofa. The camel back adjoins downsloping rolled arms, terminating in a serpentine front rail. The square tapering front legs terminate in spade feet.

Circa 1780

Regency period ebonized and gilt painted chairback settee, in the manner of John Gee. The finialed top rail with ribbon-tied foliate garlands, with painted bellflower decoration descending down the baluster-shaped splats.

Circa 1810

George II period Irish double chairback settee, in walnut. The two pierced interlaced splats with gooseneck arms surmount cabriole legs and pad feet. The splats each with suspended tassels below the top rail, and the pad feet with flattened panels, both features typical of Irish furniture.

Circa 1740

George III carved mahogany window seat, in the French Hepplewhite taste. The scrolled padded arms and serpentine padded seat on cabriole legs headed by carved shells on scroll feet.

Circa 1780

Chappell & McCullar Contemporary Classics - Christophe Bench. The seat rail is supported on two curule legs formed by S-shaped members joined in the center by a turned wooden spindle terminating at either end in a stylized gilt metal rosette.

Chappell & McCullar Contemporary Classics - Christophe Stool. The seat rail is supported on two curule legs formed by S-shaped members joined in the center by a turned wooden spindle terminating at either end in a stylized gilt metal rosette.

A 19th century George III style cabriole leg stool, with claw and ball feet. The cabriole legs have acanthus carving to the knees, with acanthus carved earpieces with C-scrolls.

Circa 1870