Four George III giltwood open armchairs, attributed to Francois Herve. The back carved with a 'ribbon and stick' band, the cresting centered by a ribbon-bound floral rosette with trailing husks. Leaf and tongue carved and beaded rails above tapering fluted legs headed by floral paterae and ending in turned feet.

Circa 1780

A set of four Regency revival armchairs in the Brighton Pavilion taste. The framework ribbed to imitate bamboo, with the white painted decoration picked out with a celadon green on the ribs. Upholstered in a Northcroft silk.

Late 19th century

A set of four George II period mahogany sidechairs in the Chippendale manner. The back splats in a ‘Gothick’ style, above stuffover seats, all supported by square, chamfered legs.

Circa 1750

Set of 6 early Victorian walnut balloon back dining chairs. The well-figured balloon backs surmount seats now covered in rose-coloured velvet. The turned front legs are supported by original china-wheeled castors.

Circa 1850

A set of six 18th century George III mahogany ladder back dining chairs, the shaped top rail enclosing pierced horizontal splats with carved anthemion detail, the drop in seats on square section supports united by H-shaped stretcher, comprising; two elbow and four side chairs.

Circa 1790

A set of 8 George III 'Chippendale revival' style mahogany dining chairs. The set consists of 2 carver's chairs and 6 side chairs, all with stuffover seats and shaped mahogany aprons, terminating in cabriole front legs with ball and claw feet.

Circa 1880

Set of 7 George III mahogany 'shieldback' chairs in the Hepplewhite manner. Consisting of 2 armchairs and 5 sidechairs, the well-carved back of shield shape, with the splat of three stiles radiating from a fan, the central stile terminating in a Prince of Wales feather motif.

Circa 1785

Set of 12 Louis XVI style dining chairs, attributable to Maison Jansen. Composed of 2 armchairs and 10 sidechairs of ample proportions, The dished elliptical backs and seats surmount stop-fluted legs with paterae at the top, and toupie feet.

Circa 1900

A pair of Regency ebonised and parcel-gilt open armchairs, each with curved tablet toprail centred by a lion's mask, flanked by palmettes, above an x-framed splat, centered by a flowerhead roundel, with scrolled arms and serpentine supports, above a caned seat, on sabre legs headed by flowerhead panels.

Circa 1810

A pair of Régence period giltwood bergères, with Aubusson upholstery. Of cabriole form with serpentine seat fronts above carved aprons, the legs terminate in volutes surmounting pegged feet. Gilt with both oil and water gilding.

Circa 1740

A pair of Directoire period mahogany and ebonised armchairs of antiquarian design, in the manner of Jacob. The curule form front and back legs terminate in ebonised lion's feet. The arms terminate in ebonised spheres.

Circa 1800

A pair of Regency period 'Trafalgar' mahogany sidechairs. The tablet back above a cross-splat of opposing double ogee motif. The stiles, side rails, and sabre legs with channeling and reeding.

Circa 1810

A pair of George III walnut side chairs in the Hepplewhite taste. The arched crest rail above a harp motif splat, with a dished seat supported by square tapering legs. The chair back and the front legs trimmed with an unusual egg and dart motif.

Circa 1780

William and Mary period walnut armchair. The arched cresting rail surmounts a caned back and cane seat, with scrolled arms. The turned legs and turned stretcher terminate in 'Braganza' front feet.

Circa 1690

George II period mahogany armchair.

Circa 1750

George III mahogany armchair, in the manner of Gillows. The pierced shieldback is interlaced with carved drapery swag and surmounted by foliate cresting. The splayed scroll arms terminate in the serpentine padded seat, above fluted tapering legs terminating in spade feet.

Circa 1785

Chappell & McCullar Contemporary Classics - Michel Sofa. The undulating serpentine show frame base with a 'cushion' frieze and cabriole legs with a carved scallop motif at the knee and terminating in French scrolled feet.

A George III Hepplewhite period mahogany sofa in the French taste. Of cabriole form, the rolled arms with gadrooned edge extending to French scrolled feet.

Circa 1780

A George III carved mahogany camelback sofa, with serpentine front and shaped and rolled arms, with exposed foliate carved facings, raised on four square, molded front legs.

Circa 1780

Regency period simulated rosewood chairback settee. With four x-shaped splats and a caned seat, the top rails with gilt painted arabesques.

Circa 1810

George III carved mahogany window seat, in the French Hepplewhite taste. The scrolled padded arms and serpentine padded seat on cabriole legs headed by carved shells on scroll feet.

Circa 1780

Chappell & McCullar Contemporary Classics - Christophe Bench. The seat rail is supported on two curule legs formed by S-shaped members joined in the center by a turned wooden spindle terminating at either end in a stylized gilt metal rosette.

Chappell & McCullar Contemporary Classics - Christophe Stool. The seat rail is supported on two curule legs formed by S-shaped members joined in the center by a turned wooden spindle terminating at either end in a stylized gilt metal rosette.

George II style carved walnut stool. The drop-in seat surmounts cabriole legs with low-relief carving in an acanthus motif, terminating in ball and claw feet. The seat rails all with gadrooning below the rails.

Circa 1880

George II period mahogany stool. The cabriole legs terminating in pointed, pad feet.

Circa 1750