Regency period lacquer and gilt papier mache tray decorated with Chinoiserie scenes. The reverse labeled 'Ryton & Walton, Wolverhampton'.

Circa 1810

Regency period round painted Pontypool lacquered metal tray, with later painted Chinoiserie stand.

Circa 1810

A Japanese lacquer and gilt tray, decorated with fans both open and closed. Signed 'Keizan'. Mounted on a contemporary lucite stand.

Showa period, circa 1960

A Regency parcel gilt black papier mache oval tray by Clay, with gilt metal handles at the ends, stamped to the underside.

Circa 1815

Pair of Old Sheffield Plate Candelabra. Arms and central urn are detachable.

Circa 1790

Regency sterling silver inkstand by Emes and Barnard, London. Engraved on the stand with the arms of the Bishop of Barbados.

Circa 1825

Old Sheffield Plate Inkstand.

Circa 1815

Silver Plate Punch Bowl, Mappin & Webb.

Circa 1890

A matched pair of Qing period wine jars of large size. The cobalt and white underglaze decoration of foliate meander form, with four applied lion's heads on the shoulders, and temple dog finial to the lids.

Tongzhi period, late 19th century

Pair of Chinese glazed stoneware vases of large size. The yellow ground, lobed body decorated with butterflies, with green and red diapering to the collar and the base. The panels depict a waterway with mountains and villages, the reverse with Buddhist immortals.

Late Qing period, circa 1880

A pair of Chinese Dehua blanc-de-chine hexagonal bottle vases. With twin lion-head handles, the moulded decoration depicting dragons chasing flaming pearls amongst scrolling clouds.

Late Qing period, late 19th century

Pair of Kutani ware vases. Of water bucket form with kiku patterned decoration to the body.

Marked Kutani and signed Kyozan.

Late Qing period, late 19th Century

Cobalt and white 'rouleau' vase. The finely executed decoration surrounds the entire circumference of the body, showing two warriors on horseback, with attendants, before two courtly ladies in a pavilion, amidst a rock landscape.

Tongzhi period, late 19th century

Kutani overglaze painted and gilt bowl. Kutani mark to the base.

Late Meiji period, circa 1900

Late Meiji period Kano style painted bird in pine tree, Fukugawa mark to the underside.

Circa 1900

Three Chinese lead pigment glazed stoneware herb jars.

Late Qing period, late 19th century

A Kyoto Satsuma rectangular tray with barbed rim painted and gilt with bijin and children in a flower strewn mountainous landscape within a dark blue floral border, the underside with maple leaves on streams.

Late Meiji period, circa 1900

A Kyoto Satsuma ovoid vase painted and gilt with fan shaped panels of flowers, including irises, chrysanthemums, peonies, prunus, and magnolia, signed Kinkozan.

Late Meiji or Taisho period, circa 1920

Ko Kutani double gourd vase.

Late Edo or early Meiji period, circa 1860

George III style oak miniature bureau.

Circa 1880

Late Edo period gilt and lacquer table cabinet.

Circa 1860

A William IV silver-mounted coromandel tea caddy, fitted with two canisters and a bowl.

Circa 1840

Pair of Burmese painted and gessoed wooden temple gong holders, modeled as young boys.

Ayuthaya period, early 19th Century.

Chinese wooden trade sign. The characters from right to left mean 'honesty', 'enable' and 'style'.

19th century

Bronze model of a cannon, mounted on a wooden gun carriage.

Circa 1880

A gilt brass and Formica four paneled screen by Felix Kelly, each panel printed with London landmarks, including Mansion House, Cleopatra's Needle, the Tower of London, and Big Ben.

Circa 1960

Chinese painted silk screen, described as ‘100 Children’. This motif, depicting attitudes of a happy and carefree childhood is supposed to impart happiness to the viewer.

Mid 20th century

A pair of George III period paktong candlesticks.

Circa 1800

A pair of Empire period gilt bronze and rouge griotte marble four light candelabra. Each columnar standard supporting lamp-form platform issuing three leaf cast candle arms around single central nozzle with removable flame finial, all on scroll draped animal leg supports and conforming incurved plinth.

French, circa 1810

George III period lighthouse-shaped castor with acorn finial.

Late 18th or early 19th century